The party that really has something to answer for is the New Museum. Inaugurated as an upstart venture with aims to realign the art world’s chi (or at least disintegrate a bit of its ossified power), 30 years later, it is following the standard template: anointing white, male, European artists in an attempt to build a reciprocally beneficial art history. And, more importantly, doing the reciprocity thing with benefactors like Dakis Joannou, a major Fischer collector and museum trustee who is also showing his collection at the New Museum (curated by Koons, to close the circle) next February.